HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Six
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Hannah Dorman – “You”
Hannah Dorman opens this episode with her latest release, “You”, flipping the script on her usual upbeat pop-rock energy, sliding into a softer, moodier lane that still packs a punch. As the B-side to “Bad Habit”, it’s got that ‘90s girlband undercurrent her fans have been buzzing about since the teaser dropped: bittersweet melodies, lush harmonies, and a touch of nostalgic shimmer.
The track unpacks the quiet wreckage after a relationship falls apart (whether love or friendship) when the haze lifts and you finally see why it was never right. Hannah’s vocals ride the line between tender and defiant, letting those moments of vulnerability hit just as hard as the bursts of clarity.
Musically, it’s all about contrast: mellow synth swells and clean guitar lines rubbing up against punching beats that keep things moving. It’s the kind of song you can cry to in your bedroom or blast on a late-night drive, making peace with the past while low-key dancing through it!
A slow-burn gem with real replay value, we loved that!
ColourTelly – “Breathe”
ColourTelly’s latest single “Breathe” is one of those tracks that feels like it was ripped straight from the headlines but filtered through a dreamlike haze. Evangeline Cunningham’s vocals float and cut at the same time: soft edges carrying sharp truths, while Ollie Chubb’s production wraps it all in that smoky, Portishead-inspired atmosphere. Joe Elliott’s sax creeps in like late-night city lights through rain-streaked glass, adding a haunting warmth to the chill.
Lyrically, “Breathe” doesn’t flinch. It stares down the corruption, chaos, and political madness of right now, speaking truths that feel dangerous but necessary. It’s protest music without the megaphone, more like a slow inhale before the shout.
The production is stripped but lush, giving space for every note to land heavy, and the gradual build pulls you in deeper with each listen. It’s beautiful, unsettling, and quietly defiant: the kind of song that lingers in your head long after the last breath fades.
Definitely a bold opener for their next chapter.
Calling All Astronauts – “Noise Against Tyranny”
Calling All Astronauts return with Noise Against Tyranny, a ferocious new chapter that cements their reputation as one of the U.K.’s most politically charged and uncompromising acts.
The duo — David B and Paul McCrudden — bring their signature collision of Electro, Goth, Post-Punk, Industrial Metal, and EDM into sharp focus, channeling the turbulence of the modern world into a sound that is both cathartic and confrontational. Four years in the making, the album brims with socio-political fire, moving seamlessly between brutal intensity and atmospheric experimentation, all tied together by an unrelenting industrial undercurrent.
Self-produced after working with double Grammy winner Alan Branch on past singles, the record finds them stepping up to the challenge with fearless conviction.
The result is an unflinching body of work that doesn’t just speak truth to power but roars it through walls of distortion, pulsing electronics, and darkly cinematic soundscapes — a bold manifesto for the times.
SERAh – “In Front of Me”
SERAh’s In Front of Me sets the stage for an ambitious sci-fi narrative with a cinematic spin on melodic bass. Built around emotional vocal chops from LLOVSA, shimmering synth layers, and a Deadmau5-like chord progression, the track unfolds with sweeping breakdowns and a darkly euphoric drop that balances power with elegance.
The production leans into progressive house sensibilities, pairing soaring melodies with soothing, meticulously crafted sound design that makes each transition feel seamless. More than just a single, it’s the first chapter of a 20-part animated series exploring Lyra’s World, a post-apocalyptic space fantasy that merges storytelling with electronic music.
With influences from MiTiS, Tails, and Codeko, SERAh delivers a debut that’s both technically polished and emotionally stirring, promising a larger journey that will captivate fans of cinematic EDM.
Richie Flo – “Reggae (Do What You Want)”
Richie Flo returns with “Reggae (Do What We Want),” a heartfelt ode to the genre that raised him and continues to shape his artistry.
Produced with House of Riddim and polished by Xavier Farre, the single carries an unmistakable island heartbeat despite being recorded in Toronto, glowing with warmth and authenticity. What makes it stand out is the way Richie personifies reggae itself, treating it as a timeless, captivating presence that feels both intimate and universal.
As the lead single from his upcoming EP St Thomas Mi Born, the track works like a love letter, reminding listeners that sometimes the most powerful songs are the ones that return to the roots. With vibrant artwork by Major Seppa and a live launch set for Toronto this summer, Richie sets the stage for a project that feels as much a personal milestone as a celebration of reggae in its purest form.
Ferdinand Rennie – “Someone to remember me (2025 Version)”
Ferdinand Rennie revisits “Someone to Remember Me” with a fresh remake that adds depth and modern flair to a song that has long held personal meaning for him.
Originally recorded in 2010, the new version—crafted with longtime producer Alan Vukelic—feels polished yet heartfelt, carrying the weight of experience while embracing a dynamic, contemporary sound. Rennie’s powerful vocal delivery underscores the ballad’s emotional resonance, making it both timeless and renewed.
As a seasoned performer with decades of international highlights—from Eurovision stages to appearances before royalty—he brings a gravitas that few can match. This latest release not only honors the song’s origins but also reaffirms Rennie’s place as a vocalist who can take a classic and breathe new life into it with elegance and conviction.
Lily Galin – “What’s your story”
Lily Galin brings us a tune that definitely hits different, called “What’s Your Story”: it’s not just a debut, it’s a straight-up open book moment. Coming from a small town in Lithuania and now repping Chicago’s vibrant scene, Lily pours every mile of her journey into this track. You can feel the late nights in the studio, the bar gigs, the years of quietly sharpening her pen before finally letting the world in.
The production’s clean but warm: modern beats glide under organic layers, giving her voice room to breathe. And the voice is exactly what we loved about the song, it literally lives in every word. There’s a calm confidence there, like she’s telling you her truth without needing to shout it.
The song’s hook is incredibly catchy; it’s like an invitation. She’s not just spilling her story, she’s asking for yours, pulling you into this shared space of scars, wins, and everything in between.
It’s personal, but it’s got that universal pull: exactly how a first big statement should sound.
Laoise Leahy – “Breathe In & Let Go EP”
Laoise Leahy brings us an incredible EP called “Breathe In & Let Go”, and let us tell you, it’s pure vibe therapy: a four-track journey that feels like slipping between worlds. One minute you’re floating in spacious, oceanic calm, the next you’re caught in groove-heavy hooks that pull you straight to the dancefloor of your mind. It’s jazz, it’s soul, it’s folk, it’s electronic, but never pinned down to one lane. Instead, Laoise lets the cracks and in-betweens breathe, and that’s where the magic lives.
The focus track “Let Go (La Da Da)” is a hooky alt-jazz gem with an addictive bounce, the kind of tune that sneaks into your head and refuses to leave. Meanwhile, “Breathe In” slows the pulse, giving listeners a meditative space to exhale. “Starlight” dazzles with moody, acid-jazz vibes, and the closer “A Timeless Place” does exactly what the title promises: suspends you outside time.
Backed by heavyweight players and shaped with producer Christian Best, this EP is both a shedding and a blooming. This is a solid project; you guys definitely can’t miss it.
