HYPERSPACE: Best Discoveries of the Week – Episode One Hundred Thirty Four
Hey Space Travellers,
Hope you are ready for another incredible episode of Hyperspace!
Fasten your seatbelts and get ready to depart!
Talon David – “Paradise State of Mind”
Let’s start this episode with Talon David, who brings us “Paradise State of Mind”, a song that’s like catching a sunbeam in the middle of a thunderstorm: warm, cheeky, and dripping with vibes. Born during the lockdown haze of COVID, while she was grinding shifts at the Nashville airport café, this track was Talon’s way of flipping the script on that caged-up restlessness. No co-writers, no big collabs.. just her, a baritone uke, and a whole lotta clever energy.
The result is a breezy, sarcastically upbeat jam that lowkey laughs in the face of modern-day stress. It’s got that “life might be chaos, but I’m still vibin’” kind of mood. Her layered vocals and tropical textures turn this into more than just a feel-good tune: it’s a mindset reset.
Recorded across six home studios in the US and UK over five years, this single carries the grit of wanderlust and the glow of pure DIY passion. It’s not just a song, it’s a mood. Paradise, after all, ain’t a place: it’s a whole attitude.
Proklaim – “CREEPIN/FURTHER (2 IN 1)”
Always extremely happy to feature this artist. Hyperspace’s favorite Proklaim breaks boundaries with CREEPIN/FURTHER (2 IN 1), a bold fusion of boom bap and Amapiano rooted in both hip-hop tradition and Southern African club energy.
Hailing from Windhoek, Namibia, the artist raps and sings with striking clarity, weaving lyrical dexterity into a soundscape that’s as raw as it is infectious. Inspired by the Shaka Zulu mini-series, the production carries an ancestral weight while still feeling fresh and electric.
With crisp mixing and mastering by Wojtek Majewski (Audio Art Namibia), and a creative process led by instinct and vibe, this two-part single captures what makes Proklaim stand out, genre-defying vision, magnetic delivery, and a deep belief in music’s power to unite. It’s a fearless release that invites global ears into a uniquely Namibian perspective.
The New Citizen Kane – “Ratbag Joy”
The New Citizen Kane is back on his mind-bending tip with “Ratbag Joy,” a sugar-rush banger that hits the dancefloor while dragging some serious baggage behind it. It’s bright, bouncy, and full of summer fizz, but peel back the synths and glitter, and you’re staring into the eyes of someone barely holding it together.
This track ain’t just a vibe; it’s a whole contradiction. The beat’s euphoric, the melodies are catchy as hell, but the lyrics? Dark, raw, and real. This incredible artist is painting a portrait of joy on the edge: highs masking hollowness, all-night chaos hiding inner static. It’s a party song with a cracked mask, and that contrast is exactly what makes it bang so hard.
The visuals of the official video match the energy: glitchy, trippy, and full of restless movement. Think ballet meets breakdown in the middle of Hackney. This guy isn’t chasing trends; he’s making his own lane, and this one rides deep and dirty.
Tony Frissore – “The Eagle Has Landed”
Tony Frissore brings us his latest single “The Eagle Has Landed”, which is that sweet exhale after the storm: smooth, confident, and drenched in funk. Following the introspective “Just Fade Away,” this joint flips the script with a fresh sense of freedom. It’s like stepping out the barracks and straight into your own groove.
Built on buttery synths, mellow drums, and a vibe that says “I’m finally home,” this track feels like touchdown after a long flight.. except now, the landing’s on your terms. Tony ain’t just making beats, he’s telling stories without a single word. The title’s a nod to Apollo 11, but the metaphor runs deeper: it’s about rediscovering yourself when the uniform’s off and the future’s wide open.
This is lo-fi soul with purpose. No rush, no baggage, just vibes and clarity. Tony’s got that rare talent for turning life chapters into sonic journeys. If “Just Fade Away” was the farewell, this one’s the victory lap. It’s funky freedom music, and it hits right.
Miss Giulls – “Hey Mr. DJ, turn it up”
Miss Giulls brings us “Hey Mr. DJ, Turn It Up”, and it’s a total vibe! A sparkling throwback to ‘80s synth glory with a modern twist that’s all heart, all soul. Built from the ground up in her home studio, this is literally a one-woman show. She wrote it, mixed it, mastered it, and produced every part of the song with care and passion, straight from the creative cave she calls her studio sanctuary.
You can feel the influence of those vintage grooves her dad used to bump, but there’s nothing dusty here. The synths are punchy, the flow’s tight, and her vocals ride the rhythm like they were made for it. There’s nostalgia, yeah, but there’s also a crisp, clean freshness that hits.
This one’s for the dance floor and the dreamers. Giulls isn’t trying to be flashy; she’s just real, and that’s what makes this track land. It’s a shoutout to joy, rhythm, and the DJs who keep our hearts thumping. Turn it up, indeed.
Sunsparks feat. Amanda Wilson – “Hell of a Night”
Sunsparks are stepping out of the shadows and dropping some heat with “Hell of a Night”, and trust, it lives up to the name. This isn’t just another club tune, it’s the kind of banger that hijacks the dancefloor from the very first beat. And with Amanda Wilson on the mic? Game over. Her voice has been owning dance anthems since “Love On My Mind”, and here she’s in full beast mode: rolled into the studio and laid it down like it was nothing.
The duo behind Sunsparks has been killing it behind the scenes for a while, writing and producing for others, but this time they said nah, we’re keeping this one! With Cameron Collie on production duties, they’ve cooked up something that hits that sweet spot: emotionally charged lyrics, a beat that slaps, and a vibe that makes you wanna wild out and scream the hook with your crew at 2AM.
It’s bold, it’s feel-good, and it’s a proper debut from artists finally owning their moment. Let it spin.
BŠĀR – “Venus”
With Venus, BŠĀR crafts a shimmering synthpop gem that pulses with emotion and introspection. Beneath the track’s summery beat and glossy hooks lies a deeper vulnerability — a dual plea to a failing lover and the goddess of love herself.
The lyrics wrestle with themes of rejection, aging, and self-worth in a culture obsessed with youth and image, while the production gleams with crisp synths and driving rhythm.
BŠĀR’s genre-fluid background as a classically trained composer and multi-instrumentalist gives the track its layered polish, blending pop immediacy with an artful sensibility.
Venus is both dancefloor-ready and thought-provoking, a sleek anthem of longing in a digital age.
Trevor Drako – “Bottomless Emotions”
Trevor Drako lays his soul bare on Bottomless Emotions, a gripping single that channels personal chaos into raw, melodic honesty.
Written, recorded, and finalized in under two hours, the track captures the urgency of its message — a descent into addiction, heartbreak, and inner turmoil. With its stripped-down, confessional tone and dark emotional core, the song draws listeners into a world where vulnerability meets resilience.
Drako’s vocal delivery is filled with desperation and resolve, reflecting his journey through the streets and into the studio. As the first preview of his upcoming album Split Personalities, this release cements Drako’s commitment to telling real stories with unfiltered emotion and musical grit.
His ability to turn trauma into cathartic, genre-bending expression makes him one to watch in the underground scene.
Jeff Dwyer – “Tribute to the Ancestor”
Jeff Dwyer’s Tribute to the Ancestor is a stirring and historically resonant piece that blends spiritual tones with narrative depth. Backed by J’sun Tyler’s masterful composition, the track offers a heartfelt tribute to the enslaved Americans who fought for freedom, channeling both sorrow and resilience.
With its solemn melodies and reflective lyrics, the song feels like a sonic monument — a moving reminder of the courage and sacrifice that Juneteenth commemorates. It captures a rare balance between emotional weight and musical grace, never straying into sentimentality but grounded in purpose.
Dwyer’s vocal delivery is understated yet powerful, carrying each word like a prayer for justice and memory. It’s not just music; it’s remembrance, resistance, and reverence wrapped into one powerful listen.
Jeff Dwyer – “Tribute to the Ancestor”
Rewind The Mind’s Come On With Me is a joyous burst of jazz-funk energy that practically demands to be played loud on a summer day.
With slick brass hooks, groovy basslines, and an undeniable rhythmic pulse, the Brighton-based band delivers a track that feels both retro and refreshingly new. Their musical tightness is matched by an infectious sense of fun, turning improvisational flair into something deeply danceable.
It’s a vibrant testament to their rising presence on the UK live scene, packed with charisma and clever musicianship. Whether you’re a jazz head or just in it for the groove, this one will get your feet moving and your head nodding. A perfect slice of feel-good funk for sun-drenched afternoons and late-night jams alike.
